The Least Deserving Best Picture Nominees

February 10, 2012

With the recent Best Picture nomination for Extremely Loud and Incredibly Close, a movie which had been critically savaged up until the nominations were announced, it seems like a good time to reflect on some of Oscars worst nominations in its most prestigious category.  Now, let me qualify my list first by saying that - although I have seen all the Best Picture winners - I have not seen every Best Picture nominee, so the list is a little front-loaded.  But seriously, who among us has seen The Smiling LieutenantThe Lives of a Bengal Lancer, or Anthony Adverse?

 Exactly.

I am also attempting to be very fair in selecting the weakest nominees.  You  know by now of my extreme hatred for all things Eastwood, and my Eastwood-loathing pales in comparison to my all-out hatred for The Thin Red Line  (anger, I’m telling you. 14 years later and it still makes me. SO. Angry.) but I’m trying to limit my list to films which really had no business being regarded as the “best” of anything. So – here we go:

Love Story – Remember that Seinfeld episode where Elaine goes to see The English Patient and keeps yelling “just  DIE ALREADY” at the screen?  You now know what it was like to be in the room with me during my viewing of Love Story.  How anyone could care about this movie centered around two of the most annoying people on the face of the planet is beyond me.  

Doctor Dolittle – I was shocked to even learn that this movie had been nominated for Best Picture as it has been remembered so harshly by critics and audiences alike.  Sure, Rex Harrison was fresh off his My Fair Lady success and it was the 60s, when musicals were king, but this movie was so terrible it was one of the contributing factors to the demise of the whole genre 

Field of Dreams – I know a lot of men love this movie, but remember that a favorite film isn’t the same thing as a Best Picture. Taking a pathological love for all that is baseball, Americana and your Daddy out of the equation and taking it on as a film alone, you're left with a very trite and sappy movie. It has as much reason to be nominated for Best Picture as Beaches would have (i.e. none).   And don’t even get me started that this was the same year Do the Right Thing was released.  Grumble, grumble.

Scent of a Woman – Hoo aaah!  Hoo Bingo!  The fact that this movie was nominated makes me want to take a FLAME THROWER to the academy.  Aside from the unbelievable over-acting and pathetically transparent plot, Scent of a Woman features some of the most ridiculous lines ever written.  And it tastes like Albany. If you remember liking this movie, please… watch it again and gape in horror.

Mystic River – You had to know we wouldn’t escape without any mention of Eastwood, right?  Now, I wasn’t always an Eastwood hater.  Mystic River made me one.  When it came out, it got mostly mixed reviews, but – as is often the case with Eastwood films – as awards season drew nearer, the tide started turning and the praise kept growing. I went out to see it after it was nominated so I could make up my own mind and was shocked.  Actors I admired were either wooden or waaaaay overacting, the script was plodding and the direction was so non-existent that the film barely even registered. 

Ghost – The gallery of Swayze faces alone should convince you why this might not be “best“ material. It was popular, but slight, predictable, and just plain silly. Frankly, if you need me to explain why Ghost isn't a Best Picture, you can just stop reading this right now.

The Godfather Part 3 – I’m not an enormous fan of the first two Godfather films, but I have enormous respect for them still the same, but … no…. I’m sorry.  I can’t even discuss this one rationally.  It’s is unbelievable how much Part 3 sucks.  Killer Cannoli! Joey Zaza! Kissin’ Cousins! Diabetic Seizures! George Hamilton! It’s shocking what Coppola did to his legacy in one terrible, hysterical movie. 

The Greatest Show on Earth – Oh Lord, not only did this absurd movie get nominated, it actually WON.  With characters like Buttons – a clown with a secret – and dialogue like, “You have sawdust in your veins” it’s easy to see why this is almost successful as a margarita movie.  But at two and a half hours, it puts even the most die-hard fan of bad movies to the test.  It’s just a bloated travesty filled with clown cameos.  So many clown cameos. 

Working Girl – Nothing is so awful about Working Girl, but is that what you really want from a potential “Best Picture?”  Harrison Ford seriously carries the whole she-bang with his charm in overdrive, but even that can’t elevate this slight piece of fluff to a film worthy of being recognized as one of the best anythings of any year.

Guess Who’s Coming to Dinner? – While the message is laudable, the movie itself is laughable.  Strong performances from Sidney Poitier, Katharine Hepburn and Spencer Tracy still hold up, but almost everything else in Guess Who’s Coming to Dinner does not.  It is so trapped in its own time period that it’s pretty painful to watch.

Dishonorable mentions: The Towering Inferno, The Curious Case of Benjamin Button, The Blind Side, The Green Mile, Crash, The Reader, The Cider House Rules
 

Ranking the Best Pictures

March 4, 2011
Now that "The King's Speech" has officially beat out "The Social Netowrk" for Best Picture, it's time to add it to the age-old Best Picture bitch-fest that comes around every year: Is "Forrest Gump" really better that "Pulp Fiction?"   Is Chicago" really better than "Lord of the Rings?" And - my personal fave: Is "Shakespeare in Love" really better than "Saving Private Ryan?" (Answers? No, Maybe and hell yes) 

It seems a good time for whatever it's worth to suit all the Best Picture winners up in their bathing suits and offer one the sash and corwn, and send on on a bus back to Loser-ville (I'm looking at you, Ben Hur.  So, for what it's worth, from best to worst, deserving to unwatchable, and with little preparation or forethought, my rankings of the Best Picture Academy Award winners:

 

1984 - “Amadeus”

1955 - “Marty”

1943 - “Casablanca”

1949 - “All the Kings Men”

1991 - “The Silence of the Lambs”

1940 - “Rebecca”

1960 - “The Apartment”

1929/1930 - “All Quiet on the Western Front”

1950 - “All about Eve”

1934 - “It Happened One Night”

1980 - “Ordinary People”

1972 - “The Godfather”

1974 - “The Godfather Part II”

1946 - “The Best Years of Our Lives”

1954 - “On the Waterfront”

1939 - “Gone with the Wind”

1979 - “Kramer vs. Kramer”

1977 - “Annie Hall”

1973 - “The Sting”

1962 - “Lawrence of Arabia”

1948 - “Hamlet”

2001 - “A Beautiful Mind”

1961 - “West Side Story”

2002 - “Chicago”

1999 - “American Beauty”

1993 - “Schindler’s List”

1964 - “My Fair Lady”

1983 - “Terms of Endearment”

2007 - “No Country for Old Men”

1998 - “Shakespeare in Love”

1947 - “Gentleman's Agreement”

1938 - “You Can't Take It with You”

2006 - “The Departed”

1988 - “Rain Man”

2003 - “The Lord of the Rings: The Return of the King”

1967 - “In the Heat of the Night”

2008 - “Slumdog Millionaire”

1982 - “Gandhi”

2010 – “The King’s Speech”

1969 - “Midnight Cowboy”

2009 - “The Hurt Locker”

1957 - “The Bridge on the River Kwai”

1935 - “Mutiny on the Bounty”

1994 - “Forrest Gump”

1965 - “The Sound of Music”

1975 - “One Flew over the Cuckoo's Nest”

1945 - “The Lost Weekend”

1986 - “Platoon”

1971 - “The French Connection”

1976 - “Rocky”

1944 - “Going My Way”

1953 - “From Here to Eternity”

1956 - “Around the World in 80 Days”

1996 - “The English Patient”

1942 - “Mrs. Miniver”

1937 - “The Life of Emile Zola”

1995 - “Braveheart”

1997 - “Titanic”

1990 - “Dances with Wolves”

1966 - “A Man for All Seasons”

1931/1932 - “Grand Hotel”

1936 - “The Great Ziegfeld”

1978 - “The Deer Hunter”

1989 - “Driving Miss Daisy”

1963 - “Tom Jones”

2000 - “Gladiator”

1930/1931 - “Cimarron”

1981 - “Chariots of Fire”

1970 - “Patton”

1941 - “How Green Was My Valley”

1927/1928 - “Wings”

1987 - “The Last Emperor”

1932/1933 - “Cavalcade”

1958 - “Gigi”

1985 - “Out of Africa”

1928/1929 - “The Broadway Melody”

1992 - “Unforgiven”

2004 - “Million Dollar Baby”

1968 - “Oliver!”

2005 - “Crash”

1952 - “The Greatest Show on Earth”

1951 - “An American in Paris”

1959 - “Ben-Hur”

 

Another Year has Come and Gone...

January 21, 2011
So this Oscar season has been a bit of a "meh" season for me.  Not a lot of "buzz" movies out there I'm dying to see and my favorite movie of the year so far?  Toy Story 3.  I did enjoy Inception and The Social Network quite a lot as well, so I'm not completely out of the loop, but it is sure that I will not complete last year's feat of having seen all 10 nominees before Oscar night.  Oh well..  

Let this serve as the official reminder and welcome that the Oscar pool will begin anew THIS TUESDAY, the 25th, around 9am.  You can vote right here on this site.

Here's the Rules: 

Don't not vote the official nominations are announced Tuesday, January 25th around 9:00am.  What you see on this site before them is just guesswork to make for less typing that morning.

After the nominees are announced, you have approximately 36 hours to enter.  Entries must be received before 11:59pm on Wednesday the 26th.

Pick only one winner for each category.  At the bottom of the form, you may choose a second winner in one -and only one - category.  Please list the category you are choosing as well as the winner. If you choose not to take advantage of this: sucks to be you.

All entries must be accompanied by a $5 entry fee.  If you don't have my address, I will email you with it when I receive your entry.  

NEW THIS YEAR: Your $5 entry fee must be mailed within 1 week of entering the pool.  I'm tired of tracking people down all the way up to Oscar night and my loan shark is out of town.  So, no busting knee caps this year - If I don't have your money by February 1st, you are out.    (They don't call me Oscar Nazi for nothing!)


Looking forward to seeing everyone's entries!
 

Netflix Fridays: What Are We Watching Now?

May 1, 2010
Our long, national nightmare is over!
Or rather, after receiveing many, MANY DVDs for Christmas, we've finally managed to burn our way through most of them and can once again return to renting TV shows from Netflix! Hurray! (We were so back-logged for a while, we shifted to watching only movies in an effort to not add Netflix-guilt to our existence.) To celebrate, we've bumped the remaining discs of "It's Gary Shandling's Show - Season 1" to the top of our queue. Sean really enjoyed this show when it originally aired on Fox in the late 80s. It mostly holds up all these years later, and makes for enjoyable, light watching.



Also, we've got a PBS documentray, co-driected by Ken Burns on "Frank Lloyd Wright." Often touted as the most influential and important American architect of all time, this doc features in-depth look at Wright's body of work from his -frequently turbulent - 92 years.
 

Netflix Fridays: What are we watching now?

April 23, 2010
Coming up this week we have
"A Prairie Home Companion." No, not the so-so Altman film of the same name, but a film capturing an actual performance put on for Public Radio. What can I say? I'm an NPR nerd. Can't wait to see what the sound effects guy looks like!

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Also up we have the long awaited viewing of "An Education," the second-to-last Best Picture nominee of this year for us to see, and the only one left which we will actually willingly-watch sober. (Fun fact! "Avatar" just popped up at the bottom of our queue... right next to Zardoz! I think I'm going to let it hang out there for a while.)
 

About Me


Opinions? Oh, yeah. I got 'em. Check out my thoughts on Oscars and other film-related topics throughout the year right here.
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